quot;No, no -- I dont t e.quot; Mister Bilderbaced to end t;No Joe Virginianesque.quot;
S understood ted it to be ter Lafkoz and heime.
Mister Bilderbacer, after temperament for t type of music, after t ced.
quot;t oie oie stuff,quot; said Mister Bilderbac ;Not for you, Bienc to tses and skys.quot;
A underkind. No matter was w he had called her.
ter at t t scimes, cry problem on tion knife-like inside it in bed, and even sometimes rating at t just t being Jeirely. It t o go to scraining so early, eit was --?
Once s she knew.
quot;Play tasia and Fugue,quot; Mister Bilderbacer er Lafkoz ogether.
to ail of er Bilderbacically from tisfied ood up from t o loosen t to and c. But --
quot;Frances --quot; Mister Lafkoz covered by te lids. quot;Do you know ;
Surned to ;A good many. ty some odd.quot;
quot;ell t; tcly in ; ;
Mister Bilderbac pleased; tural effulgence of German z raised t easily enoug s no deception in keeping ure because t er Bilderbaced o look.
Yet suco do . Not least, for ser Bilderbacood t, and even Mister Lafkoz meant just w he said.
In ter Bilderbac and contracted in ter of tly, temples insisting.
But sometimes, before s, tocking do . quot;Bienc; And bringing Mrs. Bilderbac in and s s gatogether in a lumpy heap.
And time sed from Junior high.
quot; you ; asked Mrs. Bilderbac breakfast iced to marco torium.
quot;An evening dress my cousin year.quot;
quot;A; ;I bet I kno;
ed. believe sly didnt care at all.
quot;Like t; able and mincing to the room, swishing his hips, rolling up his eyes behind his horn-rimmed glasses.
t Saturday afternoon, after ook o tment stores dooaffetas t ts. o o one side, and selected pink. Soo. some tle like old ladies so ep y look. But it really didnt matter at all. o cut out t it to errupted o stand by and suggest ruffles around tte on t and such made no difference.
Nottered muc playing t must be played, bringing out t must be in icing, practicing, playing so t Mister Bilderbac some of its urging look. Putting to Myra hess had, and Yehudi Menuhin -- even heime!
o o es began springing out onation. Adolescence, s. Some kids played il, like little tart t rying to get t -- someto not so be. She --
Once it lose t. A underkind. . . A underkind. . . Of , rolling tain t at ernoon Mister Bilderbac ser Lafkoz to t door, as ayed at tly pressing a solitary note. Listening, Frances c wind .
quot;A good picture of ; s;I got a letter from elling about Carnegie o eat at tea Room.quot;
to put off going into tudio a moment longer sed until Mister Lafkoz o leave and tood bey cold outside cut into t e and ter ts t to be.
As s into tudio Mister Bilderbac up from tly ctle the keyboard.
quot;ell, Bienc; ;ternoon o begin all over. Start from scratc t fe;
rying to act a part in a movie. oe to ogetisfied, movie to run tack of music s in. quot;t yet,quot; ;tion Sonata. Opus. 26.quot;
tiff and we and dead-seeming.
quot;ait a minute,quot; ood in t ;today I expect someta -- its t Beeta you ever e is under control -- teco cope ts all you t.quot;
led til eacurned it around and seated raddling th his legs.
For some reason, sion of on today s t sice urbed. iffly tilted, ense. to balance dangerously on t;No; ory dart of ion.
notes oo loud, ther phrases followed dryly.
Arrestingly ;ait! te w youre playing. ;
quot;An-andante.quot;
quot;All rig drag it into an adagio to t snatc off s oned andante --quot;
Sried again. e from t was in her.
quot;Listen,quot; errupted. quot;ions dominates t;
quot;t; she answered.
quot;t. te -- but its not salon stuff as you just played it. Start out softly, piano, and make it s just before t ic. And doer melody sing out. You kno. eve gone over all t side of it before. No. Feel it as Beete it do tragedy and restraint.quot;
S stop looking at o rest tentatively on to fly up as a stop signal as soon as so . quot;Mister Bilderbac me play on t variation stopping I could do better.quot;
quot;I interrupt,quot; he said.
oo close to t part, and, obeying a nod from jarred on t into t s.
o speak ness: quot;I ally, t o take on intensity, develop t o be in in t part. Go on one, t;
Sed to start it o a feeling of deep, s o gum in t imagine t should be.
note opped vibrating, ely got up from to side -- and beteetop of t of op once more. quot;No,quot; her.
o quiver. quot;I cant . I --quot;
Suddenly rained o a smile. quot;Listen, Bienc; ;You still play t you? I told you not to drop it from your repertoire.quot;
quot;Yes,quot; s;I practice it no;
;It togetrongly you used to play it -- like a real blacksmiter. You see, Bienc you ifully. You used to --quot;
opped in confusion and inub of cigarette. t from around her lank hair and childish forehead.
quot;Make it ; cepping back from the piano.
For a moment ood just inside t circle t made. tted doo t;Vigorous,quot; he said.
S stop looking at ting on one resting squarely before rong training under trousers, raigaunc;Simply no; ed ure of ;t in turbed.quot;
S look do t brigspread ter.
quot;All of it,quot; ;No;
S t t in t all afternoon felt suddenly dead. S gray and limp and s ter.
o t in space before ion in temples. In retreat, s tears made te keys blur in a ery line. quot;I cant,quot; s;I dont kno cant -- cant any more.quot;
ense body slackened and, o c him.
. ttens and galosc room t was o speak.
As sibule s see from leaned against tudio door, relaxed and purposeless. t to firmly. Dragging cumbled doone steps, turned in tion, and reet t her children.