From Banbury I took a bus. “Angelfield?” said to Angelfield. Not yet, any be different .”
‘Are then?“
‘Some old ruin to be a fancy el. t run a bus taff, but for no you can do is get off at t a mile, I reckon.“
t mucreet reet. I a dozen cottages, built in pairs. inctive feature stood out—a large yeree, a c for t part eacs neatly embroidered tcs rained artistry in its bricks neighbor like a mirror image.
ttage onto fields t ly defined udded rees. Farto my map, as suc t tered for traffic, eit I sail I passed t cottage and came to a combined post office and general store.
to topped at t-box. Small and fair, sruggling to stick stamps onto envelopes dropping tucked under o put taco a post at t to take er’s sed. “I can do it! I can do it!” Sood on tiptoe and stretcestations, tossed to it and carried it across the road.
‘I told you so!“
Boturned and launco a dased to a ically so t t so close. I stooped to pick up t out too take it, to step foruck to bar her way and called, “Mum!”
tcbox , tom. Let ake it.” took t looking at me. “Say trained voices, turned time ted er up to reac me again, eyeing my camera y.
Angelfield a place where I could be invisible.
Surned to follo totages.
I chem go.
ttaccion at random, made unpredictable celepaty. to tly familiar. I’d o c, fearful t t turn and catcaring, I pulled myself away.
After a feo viees t only closed but o ts of ivy t of te metales, a pale stone arc s sides extending into terate reader t I am, I couldn’t resist; I clambered t grass to read it. But it ice. truction company beneat, tains tly darker but not mucure. It ing, but t by months of sunshine.
Preparing to o find a eps e set in a a latco fasten it. In an instant I was inside.
t no erspersed led in a long curve to a small stone and flint ce, trees and s obscured t busing for space and at t grass and o hey could find.
I o in Victorian times, it retained ty of its medieval origins. Small and neat, its spire indicated tion of trying to pierce a . tioned at te and toa t ep, til at last tone t racks.
t at an a at all clear ougo meet its arriving visitors face-on, but at t minute couldn’t repress to turn back and gaze upon t terraces. tor not by a by a cold shoulder.
ts of its appearance. trical construction. t bays, eacories ood out from tall and er. In t of t, no ts neig and rigrade tried to e arcecture toget ting stone, a partial bay, an aoo muc; it disappeared only to start up again tacle. Above trade tourrets and cacks, the color of honey.
A ruin? Most of tone looked as clean and as fres e stoneurrets looked a little rading all t t, birds flying around its to, I y at all in imagining ted.
t my glasses on, and realized.
ty of glass and tted or burned a diving do. t a only a shell.
I took my glasses off again and ted to an intact Elizabet one get a sense of brooding menace if ted indigo and t against today’s cloudless blue tself.
A barrier stretctaco it ice. Danger. Keep Out. Noticing a join in tions lodged togeted a panel, slipped inside and pulled it to behind me.
Skirting to t of t and second bays, six broad, loeps led up to a paneled double door. teps als, on cats carved out of some dark, poliserial. tions of tomy , running my fingers over one, I ed fur, artled by tone.
It fire-staining. Percall enougo peer inside. I sa to bloom in my c. to all, in t of a room. t my parents’ Miss inter’s are all very different, tain elements, elements t remain constant in all places and for all people. Even a temporary encampment o protect it from ts, space for a person to enter, move about, and leave, and somet permits you to distinguisside. .
Beams one end only so t t to rest on tinguiserial t filled to ts seeds; snoer branc. Like a pattern on o a dark tunnel. Four tall ill intact, but instead of seeing a ceiling, I say space before anot tunnel was lighe sky.
Not even a g could survive here.
It impossible to t once tings. C up ed by t been, this room? A drawing room, a music room, a dining room?
I squinted at tuff of tuff t my eye. I aken it at first for a it t appeared to taco t regular intervals, to s in ttac rig, tions ill present.
Knoingled in my spine.
ture and ure was a library.
In a moment I he glassless window.
Carefully I made my esting my footing at every step. I peered into corners and dark crevices, but t t I ed any—tions. But I been able to help looking.
For a fees I concentrated on my pograpook ss of timber planks t used to s massive frame.
trying to get t picture of t stone fireplace, I , leaning sliged my sligbeat. as it somet? ed deep in t of rubble beneat? But no. It o to step through.
I side. taircase, being made of stone, act. A broad srades nos arcecture o a s its base. A kind of fancy upside-dorophe.
taircase led to a gallery t must once ire rance o one side to tone floor belo complete. tiges of a ained but intact; a floor; doors even. It part of t appeared to ruction. It looked like somewhere you could live.
I took a feures and testing eac before sing my he corridor.
t door opened onto a s fresdoors air.
I pulled termined not to be unnerved by tc all time, I came to the second door.
I turned t the door swing open.
t!
My sister!
Almost I took a step toward her.
Almost.
t and tarniss t looked like ink.
I looked doo t to step onto. ty feet onto one flags.
I kneill my continued its frenzy. I raised my eyes again, and te-faced ain figure trembling inside the old frame.
Sood, oo do ep foro take it. And not be t solution, all told, to do t and at last rejoin her?
and tc for me?
‘No,“ I ill her arm beckoned me. ”I’m sorry.“ her arm slowly fell.
took a pograph of me.
I . I knoried.
I stood er I in tory anymore. s indoor rain and trick mirror its interest for me.
I o take pograp even t. I o tore. I elepaxi. Go to tation and from there home.
All te. For time being, I ed to stay like t t to ing for tears to pass and my to calm itself.
I ed.
to to turn of its own accord.